Category: Art

04 Jan

Satan and Totalitarianism

Amelia Hoskins / Art, Philosophy / / 0 Comments

Paradise Lost - Satan - Blake - Jordan Peterson

The 18th Century concept of atheistic science as Satan has resonance in 2022 with the emergent biotech developments towards an AI driven sci-fi transhumanist agenda, obviously a ludicrous wrong turn for science and technology.  Artificial intelligence companies funded by big tech already suggest their AI system will be a god, with the likes of Kurzweil talking of a church of AI. [link]  In 2021-2022 many believe big pharma is engaged with world elites in an experimental genocidal plan for a new globalised 'reset'.  It could be 'mass murder' as Peterson suggests is indeed coming with totalitarianism.

William Blake:  Heaven vs Hell

The doorway to the future awaits the couple showing a future of ascendency through hot and cold flames representative of 'heaven and hell' in life's reality.   Beyond the ocean of time, figures ascend the distant hills of development.  The painting is about Blake's universe of balance, expressed in 'contraries' which exist in counterpoint to one and another, that there is no progression without them.  In fact we can only identify one aspect because the other aspect exists.

"contraries and oppositions - love and hate, expansion and contraction, opaqueness and translucence, reason and energy, attraction and repulsion, these are the poles of his world, where Without Contraries is no progression."

~ William Blake

In 2022 the world is becoming more totalitarian despite lessons from history on absolute power; a long way from the utopian world we could envisage in the 1960s.  Technocracy is in the ascendant and beginning to organise itself to remove freedoms to keep its power.

The larger you build a system the more there is proclivity to worship it as if it is everything; build as large as possible.  "tendency of the rational mind to produce totalitarianism and to fall in love with it, like the tower of Babel and nothing outside them is allowed to exist."

~ Jordan Peterson

People know the balance has gone too far in favour of ruling technocratic oligarchies who have more power than governments.  We can look at the thinking of 18th Century writers and artists who were concerned how the rise of atheism after the rationality of the philosophy of The Enlightenment would affect society.

For Blake, his imaginative Urizen is mankind ruled by science. Poetry and figures of Urizen represent rationalised science of those believing to have god like capabilities to control humankind, which Blake, like Milton, envisioned with pending doom for humanity.

'Urizenic Rationality itself is the program that has been expelled from Eternity, through challenging the role of the “transcendent function”, as Peterson suggests, and decides instead to create a world in its own fallen image: the world of Representation and Division, over which it can have power.' 

~ TheHumanDivine

Blake and Milton warned of a technocratic age of scientific 'reason' devoid of spirituality.  [quotes Milton, Blake?] One idea of heaven and hell, good and bad times; is that they will always come, in different forms.  Tyranny of the people we know from history.  Poets, artists and philosophers consider the quality of life and the state of the world.  Psychologist, Jordan Peterson wrote Maps of Meaning which includes ideas from Blake.  He is a popular lecturer as people are refreshed by the idea of having a focus on meaning in their lives in a highly technocracized world.

Peterson studies religion and totalitarianism.  The figure of Satan to Blake and Milton is one of humanity believing itself divine with ownership of science.  Peterson interprets Milton's Paradise Lost - When people are denied their mythological history it leads them  "to gravitate towards nihilism, or as a counter position, to totalitarianism". (in the C20th)  In the background the existentialists were looking for ways to avoid ideological totalitarianism.  Peterson says 'We know the next step is mass murder'.

"The immediate consequence, from Milton’s perspective, was that as soon as Satan decided that what he knew was sufficient, and that he could do without the transcendent—which you might think about as the domain outside of what you know—immediately, he was in hell. I was studying totalitarianism when I read Paradise Lost. I thought the true poet, like a prophet, is someone who has intimations of the future. Maybe that’s because the poetic mind—the philosophic or poetic mind—is a pattern detector."

     ~ Jordan B Peterson - From essay in thehumandivine.org

Peterson lecture What We Should Learn from Milton’s Paradise Lost 

Milton is incorporated into the corpus of christianity. Milton tried to justify 'being' to human beings. Satan is an intellectual figure, the 'evil scientist motif'. The human intellect falls in love with its own productions.  Milton’s hypothesis was that the element of the psyche – the spiritual element of the psyche that characterised the rational mind – would, by its proclivity to produce these totalising systems, end up casting itself into Hell.

The Number of The Beast is 666

This image would not be out of place in 2022.  The lamb in the painting is the 'lamb of God' with human hands signifying the people below which appear as a flock of sheep.  The white satan may represent  consciousness of the original 'good satan angel' who points in an opposite direction to the focus of the dragon winged 'bad satan': this would fit with ‘coincident oppositore’.

"Milton did the first psychoanalytic study of malevolence and evil. God’s highest Angel, who was Satan, Lucifer, the Bringer of Light, the Spirit of Rationality, tormented a rebellion against God in Heaven and was cast into Hell as a consequence. …Satan, as the highest Angel in God’s heavenly Kingdom, is a personification of the tendency of the Rational Mind to produce totalitarian systems and then to fall in love with them ."

~ Jordan Peterson

Blake ‘coincident oppositore’  is the unity of opposites . Blake unifies body of God with body of satan.

Blake hides his political commentary within the biblical stories, as parables, almost as a political cartoonist.  He removed text from God of Light.  Censorship is nothing new and he was almost imprisoned for his beliefs and associations.  He was a radical 'dissenter' who also moved in Freemason circles: as a politically thinking man would need to know the plans of the day.  We cannot know exactly the oppressiveness of his time.  He would have agreed with Swedenborg's ideas of dismantling the overarching power of church as State, but not the dismantling of Christianity in total.

Lucifer And The Pope in Hell - 1805

Religion no longer has a central place in society as it did in Blake's time when he read the Bible avidly as a child, and as an engraver made many Biblical illustrations, both his own and commissions; being a popular subject for the new printing of the age.  Being consistently against powerful organised state religion he wasn't afraid to ridicule the Pope in his art.

The Pope is chained to Lucifer; unable to escape evil, while Kings who have followed the Pope lie in the depths of hell. interesting to note Lucifer has scales as part serpent.  Evil is often seen in Blake's art as a serpent engulfing men who have succumbed to evil; seen here as one man falls into hell.

Snake Biting Vanni Fucci (Dante)

Serpents are poised ready to attack Vanni Fucci, as he seems to defy God.  The flames of hell are not far away.  Innocent angelic ladies are often depicted observing events, which may signify Blake's respect for women, who we know he was always ready to champion if a woman was in harm's way.

“We are looking at the primordial serpent right in the eye right now and we have the opportunity to cut its head off”

     ~ Dr Zelenko.  Interview on Infowars  A modern statement on the times where the serpent is big pharma.

Ian McGilchrist in his book 'The Matter of Things' extrapulates the reason behind thinking in terms of all life having contraries in dipolar force to make a whole.  He discusses the need for meaning and putting reason back into the world Iain McGilchrist: The Coincidence of Opposites

[to continue... writers on conjugates and link MU holons]

[create new post on paintings which represent conjugates]

27 Apr

Resonant Art

Illustrations and designs are 'resonant' when they reflect a sublime order or understanding of nature and the cosmos which resonates with the observer.  Aspects of colour and tone can have similar effects as music or poetry, connecting human thoughts and emotions, which artists have explored to understand the human condition and history.

Art which connect ideas

Image of cross with circle pattern connects spirituality of religion. The light behind, appearing as a glimpse, represents spiritual illumination in this setting. Photographic observation connects resonance of meaning.

Tulip Sunset Silhouette

Flower silhouette resonates with Celtic cross image by way of its shape (circular with stem) and its background of sunset.  The Celtic circle is likely representing life from sun, as does the flower form which 'resonates'. People feel a poetic resonance in sunsets.

My plant photography is drawn towards shapes reflecting aspects of the cosmos, such as stars or spirals, a resonance with universal nature.

Artists and Resonance

"Peace and Plenty and domestic happiness is the source of sublime art'"   ~ William Blake

 

William Blake was concerned with resonance; showing meaning through his poetry, illustrations and paintings. Two aspects of Blake's concern - 'heaven and hell' - family happy lightness vs mankind's struggle.

'Teach These Souls to Fly' - A mother guides her baby to fly in lightness and happy colours.

'Second book of Urizen' - Blake's mythical figure Urizen from a series of related works, is always depicted as being part of the struggle of humanity, controlling, forcing things, working against harmony. In this painting he has a red orb which may signify the world on fire with wars, as Blake lived through the French Revolution and free America. More on Blake 

The Value of Vision - Art for the people or as artist self indulgence

Popular, commercially viable art has to be valued by the majority of people. Most people want to see 'pleasant' 'nice', 'pretty' representations of the world, which is why nature photography is perennially popular; because nature always shows balance of design.  People also recognise emotional stories they can empathise with, so artists who can show this are respected.

Nature images please us by reminder of the natural world or of abstract ideas which portray a vision: then we might say by comparison that art which does not have an inspiration from 'beautiful vision' lacks a philosophy which might be important to communicate - and ultimately to enhance society in any era.

Art is made when the artist wishes to resonate with a perception he has.  We can ask if there can be a point at which such expression has little or no quality to resonate with viewers:  whether it is a 'good' or 'uplifting' visual experience, or mere subjective self indulgence. Art Nouveau, Pre Raphaelites, Romanticism and Impressionism depict uplifting images and scenes.   Surrealism and some Abstract Expressionist painting expressed 'angst'. [Ernst war, Kooning women]

All art is a synthetic representation of life experience, as seen or felt by the artist.  However, if we hold that art with a powerful resonance to move people inspirationally is beneficial to society, then we can suggest that 'Synthetic' art may be considered as having been made with no real 'vision' to resonate inspiringly with others.

With some art the meaning becomes confused, obfuscated or meaningless; nowadays seen in 'synthetic' art. [link]  Postmodernism has had a strange influence on art which has come to light in exhibitions and public sculpture, where it has become more concerned with political agendas and nihilism.  In an era where we do not experience war first hand, people seem to invent their own persecutions as victims.

13 Jul

Resonant Visions Design

Amelia Hoskins / Art / / 0 Comments

Design Philosophy

I observe the many ways in which nature has already worked out the most harmonious construct in its forms for us to admire.  As such, my work falls into the traditional design category of offering the harmony of the natural environment in designs to enhance our everyday experience; photographs and designs which give focus on the essence of form and place as an aid to keep our spirits in resonance with the natural world.

Seeds to Scenery

COSMIC DESIGN - Early drawing gave me an insight into the fascinating structure of plants perfected by nature's evolution, which cannot be improved upon.  Harmonies and patterns between the minuscule and the magnificent are embedded in the wonderful energy field patterns of nature seen in flowers, seeds, shells, pinecones and more. If we time lapse a plant growing, it does so in spiral form, just as the solar system is travelling through the galaxy; the planets spiralling around with the sun.   The energy hub from centre of flower to bulbous creation of seeds at the centre, is the power of the torus energy from the vortex. I'm hoping to combine geometric patterns with natural forms, reflecting formation from cosmic energy, light and water in circular and spiral growth patterns.

Textile Design
Designs from Photographs
Photography Trips
Photographs can be purchased in full size resolution and up to 55 inches wide. Please enquire amelia-jane-hoskins@protonmail.com (To be marketed in future when paper/material decided). Mural commissions taken for any image, or adaptation thereof.