13 Mar Philosophy Amelia Hoskins / Foreshore / 13. March 2024 / 0 Comments Philosophy in art: history information to support mentions in arts discussion pages here, such as artists and writers who mention influence of philosophers. Herbert Read in ICON AND IDEA refers to Hegel often. [art history philosophy to be added] Source: SuperScholar.org/ Present day many philosophers are seen in videos on the internet: where they mention art, or the need for it, they will be mentioned here.
22 Nov Library test Amelia Hoskins / Foreshore / 22. November 2022 / 0 Comments </div></div></div></div></div> </div> </div> </article> <!-- end blog item --> <!-- start blog item --> <article class="data post-3257 post type-post status-publish format-standard has-post-thumbnail hentry category-foreshore tag-blake tag-coleridge tag-exterior tag-imagination tag-interior" id="post-3257"> <!-- start content --> <div class="post-content"> <div class="blog-date"> <span class="span-day">30</span> <span class="span-month">May</span> </div> </div> <div class="blog-content"> <!--start image --> <div class="blog-thumb effect-zoom"> <a href="https://resonant-visions.com/imagination/" title="Imagination"> <img width="768" height="576" src="https://resonant-visions.com/wp-content/uploads/2022/05/St-Peter-St.-Jhames-Beatrice-and-Dante-St.-John-Descending-2020-01-25-17.46.07-001-resized-768x576.jpg" class="attachment-medium_large size-medium_large wp-post-image" alt="" data-lazy-load="0" decoding="async" fetchpriority="high" srcset="https://resonant-visions.com/wp-content/uploads/2022/05/St-Peter-St.-Jhames-Beatrice-and-Dante-St.-John-Descending-2020-01-25-17.46.07-001-resized-768x576.jpg 768w, https://resonant-visions.com/wp-content/uploads/2022/05/St-Peter-St.-Jhames-Beatrice-and-Dante-St.-John-Descending-2020-01-25-17.46.07-001-resized-300x225.jpg 300w, https://resonant-visions.com/wp-content/uploads/2022/05/St-Peter-St.-Jhames-Beatrice-and-Dante-St.-John-Descending-2020-01-25-17.46.07-001-resized-500x375.jpg 500w, https://resonant-visions.com/wp-content/uploads/2022/05/St-Peter-St.-Jhames-Beatrice-and-Dante-St.-John-Descending-2020-01-25-17.46.07-001-resized-690x518.jpg 690w, https://resonant-visions.com/wp-content/uploads/2022/05/St-Peter-St.-Jhames-Beatrice-and-Dante-St.-John-Descending-2020-01-25-17.46.07-001-resized.jpg 1024w" sizes="(max-width: 768px) 100vw, 768px" data-full-size="1024x768" /> </a> </div> <!--end image --> <h2 class="blog-title"> <a href="https://resonant-visions.com/imagination/">Imagination</a> </h2> <!--start meta --> <div class="blog-meta"> <span><i class="kk kk-icon-pencil"></i>Amelia Hoskins</span> / <span><i class="kk kk-icon-folder-open-empty"></i><a href="https://resonant-visions.com/category/foreshore/" rel="category tag">Foreshore</a></span> / <span><i class="kk kk-icon-clock"></i><a href="https://resonant-visions.com/imagination/"><time datetime="2023-11-24T23:34:51+00:00">30. May 2022</time></a></span> / <span><a title="View comments to Imagination" href="https://resonant-visions.com/imagination/#respond "><i class="kk kk-icon-comment-empty"></i>0 Comments</a></span> </div> <!--end meta --> <div class="blog-entry"> <div id="pl-3257" class="panel-layout" ><div id="pg-3257-0" class="panel-grid panel-no-style" ><div id="pgc-3257-0-0" class="panel-grid-cell" ><div id="panel-3257-0-0-0" class="so-panel widget widget_sow-editor panel-first-child panel-last-child" data-index="0" ><div class="so-widget-sow-editor so-widget-sow-editor-base" > <div class="siteorigin-widget-tinymce textwidget"> <h5>St Peter, St. James, Beatrice and Dante, St. John Descending - Tate Britain Exhibition 2020 - photograph by writer.</h5> </div> </div></div></div></div><div id="pg-3257-1" class="panel-grid panel-no-style" ><div id="pgc-3257-1-0" class="panel-grid-cell" ><div id="panel-3257-1-0-0" class="so-panel widget widget_sow-editor panel-first-child panel-last-child" data-index="1" ><div class="so-widget-sow-editor so-widget-sow-editor-base" > <div class="siteorigin-widget-tinymce textwidget"> <blockquote> <h3 style="padding-left: 40px;"><span style="color: #6d8791; font-size: 26px;">In your bosom you bear your heaven and earth and all you behold; tho'it appears without, it is within, in your imagination'.</span></h3> <p><span style="color: #999999;">'Like many of Blake's statements, this can seem bewildering and mystical at first glance, but when we reread it we see that Blake was being clear and concise.'</span> (<strong>John Higgs, </strong><em><strong>Blake vs the World</strong>, </em>Ch. 4).</p></blockquote> <p>All that exists in the material world started as an idea in someone's imagination. Now that we live in such a provided-for physically built environment, and since the industrial revolution, its possible to believe in only the material world, things we can see and touch, which are already there. Blake foresaw the demise of belief in the inner creativity, the mystical, spiritual or creative experiences; just as the demise of religious dogmas was in the ascendent during the Enlightenment and Newton's physics brought the age of scientism. In <strong><em>The Book of Urizen</em></strong> Blake illustrates his concern that reasoning and laws of science limit infinite possibility. [<a href="https://resonant-visions.com/blake-newton-urizen/" target="_blank" rel="noopener">My post on Urizen</a>]</p> <blockquote> <h4 style="text-align: center;"><span style="color: #6d8791;">"Spread a Tent, with strong curtains around them </span></h4> <h4 style="text-align: center;"><span style="color: #6d8791;">Let cords and stakes bind the void</span></h4> <h4 style="text-align: center;"><span style="color: #6d8791;">that Eternals may no more behold them."</span></h4> <h4 style="text-align: center;"><span style="color: #6d8791;">They began to weave curtains of darkness</span></h4> <h4 style="text-align: center;"><span style="color: #6d8791;">They erected large pillars around the Void</span></h4> <h4 style="text-align: center;"><span style="color: #6d8791;">With golden hooks fastened in the pillars</span></h4> <h4 style="text-align: center;"><span style="color: #6d8791;">With infinite labour the Eternals</span></h4> <h4 style="text-align: center;"><span style="color: #6d8791;">A woof wove, and called it Science</span></h4> </blockquote> <p>Much of Blake's poetry and artwork is built upon his insight that <em>"without contraries there is no progression. Attraction and Repulsion, Reason and Energy, Love and Hate are necessary to Human existence." </em></p> <blockquote> <h4 class="p1" style="padding-left: 40px; text-align: left;"><span style="color: #999999;">"...contraries and oppositions - love and hate, expansion and contraction, opaqueness and translucence, reason and energy, attraction and repulsion, these are the poles of his world, where 'Without Contraries is no progression'. He establishes pairs and couples within his poetry and his art; his painted objects are often placed in symmetry with each other, just as his epic verse is heavily imbued with parallelism and antithesis. In his greatest work he creates giant forms that contain his own contradictory impulses and private oppositions; he establishes a 'bounding line of art or poetry that does not unite contraries but allows them to exist in harmony beside each other."</span></h4> </blockquote> <p style="text-align: right;"><span style="color: #999999;">[<em>Blake Vs The World</em>. Find page]</span><span style="color: #ffffff;">page]</span></p> <p><em> </em>The very definition of one aspect of being implies the other exists; described by the 600BC philosopher Lao Tsu:</p> <h4 style="text-align: center;"><strong><span style="color: #6d8791;">'Being and non-being create each other.</span></strong><br class="calibre2" /><strong><span style="color: #6d8791;">Difficult and easy support each other.</span></strong><br class="calibre2" /><strong><span style="color: #6d8791;">Long and short define each other.</span></strong><br class="calibre2" /><strong><span style="color: #6d8791;">High and low depend on each other.</span></strong><br class="calibre2" /><strong><span style="color: #6d8791;">Before and after follow each other.'</span></strong></h4> <p>Any concept has its own accompanying concept to define the degrees of either. Mathematica Universalis (<a href="https://app.thebrain.com/brain/8795b527-9fb3-c040-ea21-0be2317ece99/de47a65e-213f-5aa6-8d97-a86270a26b22" target="_blank" rel="noopener">http://heurist.org</a>) works with conjugates, listing abstracts such as 'actuality and possibility', 'enfold/unfold' amongst many. In the context of their extensions into humanity, he further describes them as having <strong>depth</strong> as the 'male' agency of focus and action, and the wider <strong>scope</strong>, the 'female' societal integration. Depth and scope are tangential to each other.</p> </div> </div></div></div></div><div id="pg-3257-2" class="panel-grid panel-no-style" ><div id="pgc-3257-2-0" class="panel-grid-cell" ><div id="panel-3257-2-0-0" class="so-panel widget widget_sow-editor panel-first-child panel-last-child" data-index="2" ><div class="so-widget-sow-editor so-widget-sow-editor-base" > <div class="siteorigin-widget-tinymce textwidget"> <h3>The Philosophy of Anaxagoras - 500BC - c.428BC</h3> <p>Blake's 'contraries' were expressed as the harmony of the relationship of opposites; a yin-yang balance of conditions. e.g. hot/cold, near/far. The terms are not opposites, but conjugates; one aspect of a condition, always being in a certain proportion to another aspect. Abstractly, any proportion of an experienced or observed condition, will have a counterpart which is less or more of its conjugate. They are not always in balance, rarely, as their very definition is bound by their distance from their conjugate. Anaxagoras understood the interrelation of all things, by their having elements of their counterpart. <em>"Anaxagoras apparently realized those opposites not as "qualities," but as things <b><u>as things of spatial extensiveness.</u></b>’"</em></p> </div> </div></div></div></div><div id="pg-3257-3" class="panel-grid panel-no-style" ><div id="pgc-3257-3-0" class="panel-grid-cell" ><div id="panel-3257-3-0-0" class="so-panel widget widget_sow-editor panel-first-child panel-last-child" data-index="3" ><div class="so-widget-sow-editor so-widget-sow-editor-base" > <div class="siteorigin-widget-tinymce textwidget"> <p>Whilst imagination is the root of everything, within all developed civilizations, a development which harms humanity sometimes happens. British philosopher Owen Barfield (worked with C S Lewis and J R R Tolkein), said we must take responsibility with imagination. In modern times responsibility is only now being taken by individuals into the evils which science has imagined and now is being meshed with us: imaginative ideas of mad scientists, biotechtopian plans for a technofied humanity with no sensible control.</p> </div> </div></div></div></div><div id="pg-3257-4" class="panel-grid panel-no-style" ><div id="pgc-3257-4-0" class="panel-grid-cell" ><div id="panel-3257-4-0-0" class="so-panel widget widget_sow-tabs panel-first-child panel-last-child" data-index="4" ><div class="so-widget-sow-tabs so-widget-sow-tabs-default-0745e0dabdf9-3257" ><h3 class="widget-title">Further Reading on the imagination and 'contraries'.</h3><div class="sow-tabs"> <div class="sow-tabs-tab-container" role="tablist"> <div class="sow-tabs-tab sow-tabs-tab-selected" role="tab" data-anchor="harmonics-of-unity" aria-selected="true" tabindex="0" > <div class="sow-tabs-title sow-tabs-title-icon-left"> <span class="sow-icon-elegantline" data-sow-icon="" aria-hidden="true"></span> Harmonics of Unity </div> </div> <div class="sow-tabs-tab" role="tab" data-anchor="philosophy-of-imagination-in-the-era" aria-selected="false" tabindex="0" > <div class="sow-tabs-title sow-tabs-title-icon-left"> <span class="sow-icon-elegantline" data-sow-icon="" aria-hidden="true"></span> Philosophy of Imagination in the era </div> </div> <div class="sow-tabs-tab" role="tab" data-anchor="the-philosophy-of-anaxagoras" aria-selected="false" tabindex="0" > <div class="sow-tabs-title sow-tabs-title-icon-left"> <img decoding="async" src="https://heurist.org/calibre-web/28034/pdf" class="sow-tab-icon-image"> The Philosophy of Anaxagoras </div> </div> <div class="sow-tabs-tab" role="tab" data-anchor="blake-and-boehme-imagination-and-reason" aria-selected="false" tabindex="0" > <div class="sow-tabs-title sow-tabs-title-icon-left"> <span class="sow-icon-elegantline" data-sow-icon="" aria-hidden="true"></span> Blake and Boehme - Imagination and Reason </div> </div> </div> <div class="sow-tabs-panel-container"> <div class="sow-tabs-panel"> <div class="sow-tabs-panel-content" role="tabpanel" aria-hidden="false" > <p><em><strong><a>Returning to the Essential</a></strong>:</em> Selected Writings of Jean Bies</p> <p>Chapter 19 :<strong> The Harmonics of Unity.</strong></p> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">'...Antagonisms are complementary, that the entire universe, in its microscopic aspects, is where these never-ending transmutation of a unique energy, of every more complex attractions and repulsions occur. It results in the unification of the contradictory aspects of Reality: continuous-discontinuous, seperable-insperable, living-nonlivng, permanent-impermanent. It reveals that all phenomena are of a communicative and interactive nature.'</span></p> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">'At the very heart of the matter recent explorations have revealed other conciliations, such as the one of waves and corpuscles, in which one aspect or another prevails according to the situation. The “inseparability” of phenomena illustrates the fact that although very distant, these phenomena can act among themselves as if there was no distance between them. It makes you wonder whether, at a certain level of the Real, instantaneous relationships exist between all the points in the universe.'</span></p> <p>[The aspect William Blake refers to is the natural regulation of one aspect being defined by the lack or difference. Warm is only so because it has less cold. Light is only so because it has less dark... etc.]</p> </div> </div> <div class="sow-tabs-panel"> <div class="sow-tabs-panel-content" role="tabpanel" aria-hidden="true" > <p style="text-align: center"><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}"><strong>ONCE ONLY IMAGN'D</strong> - Chapter 7 - <a href="https://heurist.org/calibre-web/book/1088" target="_blank" rel="noopener"><em>William Blake vs The world</em></a></span></p> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">To understand more of Blake's reasoning on imagination, we can consider his inspirations in relation to the philosophy of his era. Ideas were abounding in the 1700s; in particular as people refused to believe their church teachings that man is a sinner. Religious images were a major part of his engraving career, as commercial art was still religious, but he incorporated his own imaginative ideas around ideas of heaven and hell, more intently over time. He was an idealist who loved nature and railed against slave labour and the technotronic future, as he glimpsed it through the developing industrial revolution.</span></p> <h4 style="text-align: center"><span class="so-premium-web-font" style="font-family: 'Roboto Slab';color: #6d8791" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}"><em><strong>"I must Create a System, or be enslav’d by another Mans"</strong></em></span></h4> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">Blake's "four fold vision" seems to represent states of consciousness, similar to those explored in modern times by Leary</span></p> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">The French poet Charles Baudelaire called it ‘the queen of the faculties’ and insisted that ‘Imagination created the world’. Pablo Picasso told us that ‘Everything you can imagine is real’. In the eyes of the Pulitzer Prize-winning American poet Wallace Stevens, ‘imagination is the only genius’. In 1931, Albert Einstein wrote that:</span></p> <h4 style="text-align: center"><span class="so-premium-web-font" style="font-family: 'Roboto Slab';color: #6d8791" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}"><em><strong>‘"Imagination is more important than knowledge, For knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution.’"</strong></em></span></h4> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">Some western tradition (philosophers, academics) argue that the imagination is of little value compared to the rational intellect, and is just the brain at play. In Platonic philosophy, imagination belonged on the lowest rank of mental faculties. Aristotle also argued that ‘imaginings are for the most part false’. Later philosophers took a similar dismissive view. The English philosopher John Locke argued that there ‘was nothing in the mind that was not first in the senses’. The German philosopher Edmund Husserl did not see imagination as a ‘productive’ act, because 'measurable things that exist externally, in time and space, were important in a way that things that exist internally were not'. <span style="color: #808080">[This belies the fact that all the productions of civilization emanated from imagination, then systems were enacted by followers; just as we have our corrupted governments now following corrupt corporations and bankers.]</span></span></p> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">Jean Jaques Rousseau in 1749 realized man was born good, only corrupted by institutions and his philosophy changed everything. Rousseau's<strong> 'Social Contract'</strong> of 1762:</span></p> <h4 style="text-align: center"><span class="so-premium-web-font" style="color: #6d8791;font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}"><strong><em>"man is born free and everywhere is in chains"</em></strong></span></h4> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">stemmed from his book<em> Julie</em> or <em>The New Heloise</em> in 1761, exploring the ideas. The Vatican banned it, though many people read it as it was available for hire by hour or day. This enlightenment took hold of the people and led to the French Revolution.</span></p> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">Gottfried Leibniz had realised in 1710 we must be living in the best of possible worlds, and if that was not the case, then it must be the institutions; in line with Rousseau's thinking. Now we know it IS the institutions, especially banking, which enslaves us.</span></p> <p><span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">Nothing is invented without someone imagining it, then bringing it into being with or without technology.</span><br /> <span class="so-premium-web-font" style="font-family: 'Roboto Slab'" data-web-font-module="google" data-font-info="{"font":"Roboto Slab","webfont":true,"variant":null,"module":"google"}">Whilst imagination is the root of everything within all developed civilizations, a development which harms humanity sometimes happens. British philosopher Owen Barfield (worked with C S Lewis and J R R Tolkein), said we must take responsibility with imagination.</span> [Find it]<span style="color: #808080"> [In modern times responsibility is only now being taken by investigative journalists into the evils which science has imagined and now is meshed within almost every aspect of our lives: original imaginative ideas of mad scientists, with no sensible control.]</span></p> </div> </div> <div class="sow-tabs-panel"> <div class="sow-tabs-panel-content" role="tabpanel" aria-hidden="true" > <h3><span style="color: #003366">Extracts from '<i><strong>The Philosophy of Anaxagoras:</strong> An Attempt at Reconstruction' </i>by Felix M. Cleve</span></h3> <p>With quotations of Anaxagoras: <i>.. .'the mixture of all things:'</i></p> <blockquote> <p><i>of the moist and the dry,</i><br /> <i>of the warm and the cold,</i><br /> <i>of the bright and the dark</i></p> </blockquote> <blockquote> <p><i>(since also much earth was therein ),</i><br /> <i>and, generally, of seeds infinite in quantity,</i><br /> <i>in no way like each other.</i></p> </blockquote> <blockquote> <p><i>... the dense is severed from the rare,</i><br /> <i>the warm from the cold,</i><br /> <i>the bright from the dark,</i><br /> <i>and the dry from the moist</i></p> </blockquote> <p>'These ultimate elements are exemplified by the pairs of opposites mentioned in the extant fragments. Every pair of these opposites corresponds to another field of sensation, or, to say it with an Aristotelian term, is "specific as to the senses", '</p> <p>'Anaxagoras apparently realised those opposites not as "qualities," but as things <b><u>as things of spatial extensiveness.</u></b>’‘... This is a fundamental discovery, and Anaxagoras understands it as the basic and primary interrelation of the elements. He declares:</p> <blockquote> <p><i>There is no isolated existence, but all [things] have a portion of every [element].</i></p> </blockquote> <blockquote> <p><i>The [elements] in this one cosmos are not separated from one another.</i></p> </blockquote> <p>'That is to say:'</p> <blockquote> <p><i>There is no thing containing particles of the bright and the dark (color) which would not contain as well, particles of the warm and the cold, (temperature) particles of the rare and the dense, or, what amounts to the same thing, of the light and the heavy, (pressure) particles of the moist and the dry, (other haptic qualities) etc</i></p> </blockquote> <h3><strong>P. 10, 11. "THE GREAT" AND "THE SMALL"</strong></h3> <p>‘The fundamental statement that there is no isolated existence is true also in that field in which the opposites are named, "the great" and "the small." This could be the field of spatial extensiveness as such.<br /> Anaxagoras seems to have been aware also of the fact that the optic sphere includes not the quality of color alone, since there is also colorless extensiveness.’</p> <p style="padding-left: 40px"><i>In this connection must be mentioned Anaxagoras' experimental proofs that the air, though colorless and, therefore, invisible, is not a "nothing," not a vacuum:</i></p> <p>'And since also the portions of the great and of the are equal in number, also in this respect all [elements] would be in everything, and isolated existence is impossible.'</p> <p>'Consequently, there is no smallest nor greatest:<br /> For of the small there is no smallest, but always a smaller one. . . but also of the great there is always a greater one. And it [sc., the great] is equal to the small in number.'</p> <p>'For an absolutely "smallest" would contain no great particles at all, and an absolutely "greatest" would contain no small-particles at all. Such an "isolated existence," however, is out of the question: Even "the most great" is always "the least small" as well, and vice versa.'<br /> Hence</p> <blockquote> <p><i>"With reference to itself,</i><br /> <i>each thing is both great and small</i></p> </blockquote> </div> </div> <div class="sow-tabs-panel"> <div class="sow-tabs-panel-content" role="tabpanel" aria-hidden="true" > <h4 id="title"><a href="http://unity3d.heurist.com:8083/book/5542" target="_blank" rel="noopener"><strong><em>William Blake & Jacob Boehme - Imagination, Experience & the Limitations of Reason</em></strong></a> - Essay</h4> <p>Add notes</p> </div> </div> </div> </div> </div></div></div></div></div> </div> </div> </article> <!-- end blog item --> <!--end loop --> <div class='pagination' id='kk-pagination'> <div class="alignleft"></div> <div class="alignright"></div> </div> </div> <!-- start widgets --> <div class="sidebar" id="http://right"> <div class="widget widget_sow-image" id="sow-image-3"><div class="so-widget-sow-image so-widget-sow-image-default-8b5b6f678277" data-overlay-enabled="1" data-overlay-settings="{"enabled_for_widgets":["sow-image","sow-image-grid","sow-simple-masonry"],"theme":"","show_delay":300,"overlay_color":"#000000","overlay_opacity":0.8,"overlay_position":"bottom","overlay_size":0.3,"desktop_show_trigger":"hover","touch_show_trigger":"touch","responsive_breakpoint":"1024px","responsive_breakpoint_unit":"px","overlay_animation":"fade","overlay_animation_onscreen":false,"font_family":"","text_size":"15px","text_size_unit":"px","text_color":"#fff","text_padding":"22px 22px 22px 22px","text_position":"middle","text_align":"left","text_animation":""}" > <div class="sow-image-container"> <img src="https://resonant-visions.com/wp-content/uploads/2020/04/Logo-sized-Butterfly-from-chrysalis-Blue-Clipper-parthenos-sylvia-lilacinus-S.E.Asia_2018-08-10-14.32.27-003-cropped-edited-sized.jpg" width="512" height="512" srcset="https://resonant-visions.com/wp-content/uploads/2020/04/Logo-sized-Butterfly-from-chrysalis-Blue-Clipper-parthenos-sylvia-lilacinus-S.E.Asia_2018-08-10-14.32.27-003-cropped-edited-sized.jpg 512w, https://resonant-visions.com/wp-content/uploads/2020/04/Logo-sized-Butterfly-from-chrysalis-Blue-Clipper-parthenos-sylvia-lilacinus-S.E.Asia_2018-08-10-14.32.27-003-cropped-edited-sized-300x300.jpg 300w, https://resonant-visions.com/wp-content/uploads/2020/04/Logo-sized-Butterfly-from-chrysalis-Blue-Clipper-parthenos-sylvia-lilacinus-S.E.Asia_2018-08-10-14.32.27-003-cropped-edited-sized-150x150.jpg 150w, https://resonant-visions.com/wp-content/uploads/2020/04/Logo-sized-Butterfly-from-chrysalis-Blue-Clipper-parthenos-sylvia-lilacinus-S.E.Asia_2018-08-10-14.32.27-003-cropped-edited-sized-500x500.jpg 500w" sizes="(max-width: 512px) 100vw, 512px" title="Blue Clipper Parthenos Sylvia Lilacinus S.E.Asia - Butterfly out of chrysalis Butterfly Sanctuary, Buckfastleigh" alt="Logo butterfly" decoding="async" loading="lazy" class="so-widget-image"/> </div> </div></div><div class="widget widget_categories" id="categories-2"><h5 class="widget-title">Gallery Natural Topics</h5><form action="https://resonant-visions.com" method="get"><label class="screen-reader-text" for="cat">Gallery Natural Topics</label><select name='cat' id='cat' class='postform'> <option value='-1'>Select Category</option> <option class="level-0" value="94">Architecture</option> <option class="level-0" value="57">Art</option> <option class="level-0" value="153">Cosmos</option> <option class="level-0" value="193">Designs</option> <option class="level-0" value="187">entropy</option> <option class="level-0" value="67">Floral</option> <option class="level-0" value="1" selected="selected">Foreshore</option> <option class="level-0" value="147">Philosophy</option> <option class="level-0" value="165">Plants</option> <option class="level-0" value="83">Resonance</option> <option class="level-0" value="84">Resonant Art</option> <option class="level-0" value="106">Seeds</option> </select> </form><script type="text/javascript"> /* <![CDATA[ */ (function() { var dropdown = document.getElementById( "cat" ); 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